Hi all,
Please see below for a revised class schedule through week 9. This is only pertinent for our Tuesday (lecture meetings). I will print hard copies for everyone and go over this further on Tuesday.
CMA 2165 Revised Schedule (weeks 4-9,
lecture only)
WEEK 4
2/10 Griffith
Shorts (cont.)
Soviet
Editing Theory
Reading:
Dancyger, Chapter 1 (PDF)
Pudovkin (PDF)
Screening:
Mother (Pudovkin, 1926)
Battleship Potemkin (Eisenstein, 1925)
WEEK 5
2/17 Challenges
to Linearity
Screening: M (Lang, 1931)
*Citizen Kane (Welles, 1941)
JFK (Stone, 1991)
Inland Empire (Lynch, 2006)
WEEK 6
2/24
Continuity – Invisible Editing vs.
Emphatic Editing
Screening:
Casablanca (Curtiz, 1942)
Psycho (Hitchcock, 1960)
SPRING
BREAK: 3/2-3/6
WEEK 7
3/10 Open
Lab for Assignment 2
NO
CLASS 3/12 – Presidential Inauguration
WEEK 8
3/17 Hitchcock/Editing
Action
Reading:
Dancyger, Chapter 6 & 21 (PDF)
Screening: Lots
of Hitchcock
The French Connection (Friedkin,
1971)
WEEK 9
3/24 Documentary
Editing
Aesthetics of
Sound
**Reading:
Bordwell and Thompson (PDF)
Screening:
Letter
From Siberia (Marker,
1957)
Blue
Velvet (Lynch, 1986)
*Citizen Kane is
on reserve in the library. I would like everyone to watch the entire film
outside of class and write a blog on the linear structure (this will count as
one of your blogs).
**I have added this reading. It can be accessed via the original
“readings” blog post.
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